tag:blogger.com,1999:blog-416913236621309814.post6338795682555556218..comments2023-05-24T08:06:43.882-04:00Comments on Romance Writer's Revenge: Why Should I Trust My Subconscious When It Won't Trust Me?Terri Osburnhttp://www.blogger.com/profile/17176989488447450585noreply@blogger.comBlogger59125tag:blogger.com,1999:blog-416913236621309814.post-59862650364869193332011-07-31T23:18:27.000-04:002011-07-31T23:18:27.000-04:00Hee, hee. So, all the WBs live in California? Or i...Hee, hee. So, all the WBs live in California? Or is that writers who claim to experience WB live in California. Right.<br><br>I don't get WB, I just stop writing now and then. Stress, disguised as massive lack of confidence. And the lack of a story idea that inspires me enough to believe I can write. (Found a new idea, btw, written over 16k in three days. Booyah!)<br><br>I think the point of the blog you're citing is that your subconscious doesn't talk to you. It just blocks you until you stumble back and figure out how you screwed up. This is like one of my elder animal guides, Coyote, who continues to dig holes in front of me to trip into until I figure out I should use a different route! No sign post, no telegram, no blinking freeway sign warning of a detour ahead... Just aching ankles, scabby knees and scraped hands until I quit going that way!<br><br>And the faint sound of laughter to the side. He loves a good pratt fall.<br><br>Sorry, Hellie. Wish it were woowoo easy.<br><br>And I saw Cowboys&Aliens this weekend and really nice! Great homage to westerns, Harrison was lovely, Daniel Craig was steely...and there was as dog named Dog. I'll look to get to your movie this week! ;-)2nd Chancehttp://www.maureenobetita.comnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-57366865833414105832011-08-01T00:28:29.000-04:002011-08-01T00:28:29.000-04:00Come on now Hellie. This just won't do!Your su...Come on now Hellie. This just won't do!<br><br>Your subconscious is the biggest part of YOU. Its the source of your ideas. Its the origin of your flare. It determines who you are. It links you to the rest of humanity (If you believe Jung).<br><br>OK it can feel like an inner critic at times but that's good. Stops you making an ass of yourself and warns when things are going astray.<br><br>I say embrace your subconscious. Embrace your own brilliance. Listen carefully to any warnings. And yes, buy your subconscious lunch occasionally to show it you care.<br><br>Fascinating analysis Hellie. Worthy of Freud in his formative years!<br>:lol:Quantumnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-79976176099554732182011-08-01T04:12:25.000-04:002011-08-01T04:12:25.000-04:00Ooohh.... Boy does my subconscious work like thi...Ooohh.... Boy does my subconscious work like this!! I stall out in the center of the book. Every. Single. Time.<br><br>Most of the time I get going again by focusing on the end. I know what I want to happen and so I look at where I am and where I want to be and I try to connect the dots. And when I can't think about the end, I think about what I want to happen in that scene and I focus on the goal of the scene and not on the details.<br><br>It gets me to the end, but it doesn't keep me from feeling that "I'm wrong" feeling. It just ends the internal debate.<br><br>I admit; I stop sometimes. But I've figured out that there are reasons to stop and reasons not to. I try to figure out if the wrong comes from character or something else. If it's a character wrong, I stop. Always. Because character is ALL and if the character's off there's no reason for me to keep going. Then I go back to where the character was good and reread and see if I can return the character to when they made sense and try to coax them through the rest.<br><br>I'd like to say it's fail safe but it isn't. It's just how I do it. Sometimes it works, though.Marneenoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-84096920231118120852011-08-01T05:06:30.000-04:002011-08-01T05:06:30.000-04:00First off, this is nothing like the death conversa...First off, this is nothing like the death conversation. Not even close. Though I do love that you inserted the "need to know" idea into a new situation. <br><br>I'm totally with Q. Turning your subconscious into the enemy means turning YOU into an enemy (though I might have said the words "She's her own worse enemy" in the past. Ahem.) Starting a war inside your head is just asking for trouble. Hell, I'm happy that my subconscious steps in before I get too far afield. <br><br>Though now that I'm mentally breaking down the first MS, I can see giant potholes that my subconscious could have MENTIONED SOONER. Like before I believed it was DONE.<br><br>I always go back to the storyboard. Stare at it. Move notes around. Create new ones, take out the unnecessary ones. I think if you listen closely enough, your subconscious will tell you exactly what you need to know. Not that you'd ever be stubborn and not want to listen. *whistles innocently*Bosunhttp://www.terriosburn.comnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-20086334855653567172011-08-02T12:44:41.000-04:002011-08-02T12:44:41.000-04:00Maybe you jump to another scene and come back late...Maybe you jump to another scene and come back later. Time apart from Adam maybe the right ingredient for figuring what's wrong with his damn POV.<br><br><a href="http://steamyfantasy.blogspot.com" rel="nofollow"> Chemical Fusion</a>Enid Wilsonnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-12934147477460792542011-08-02T17:06:18.000-04:002011-08-02T17:06:18.000-04:00Good one, Enid. I've considered that. I'm ...Good one, Enid. I've considered that. I'm a very linear writer, but scenes for much later in the book keep coming to me. Maybe writing a scene that comes 50 pages later in the story can help unstick whatever the issue is with the current scene.Bosunhttp://www.terriosburn.comnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-36952969634912312552011-08-01T05:23:11.000-04:002011-08-01T05:23:11.000-04:00Hellie, I sympathize, although I'm thrilled th...Hellie, I sympathize, although I'm thrilled that someone else uses the "That'll do, pig" reference. LOL I always THINK it, but I'm afraid no one will understand it and then things can get messy!<br><br>Writing would be a lot easier if it were linear, and if it didn't require teamwork (i.e., the concious and subconscious working together). But in reality it's messy and sloppy and it's like all the chaos going on behind the scenes at a great restaurant -- you just have to focus on the masterpiece that emerges at the end, the one the customer oohs and ahhs oveer, not knowing all the trauma that produced it. :)<br><br>The thing that struck me from your post is the words "supposed to". Maybe if you tried those scenes from a different angle, writing them in a freeform, not-according-to-the-plan mode, you might break through your resistance. It's possible that isn't how the story IS supposed to go, even though you've decided that it should. :)Donnanoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-54652062626912864212011-08-01T05:46:39.000-04:002011-08-01T05:46:39.000-04:00Terry Pratchett doesn't seem to have a lot of ...Terry Pratchett doesn't seem to have a lot of patience for us Americans. *LOL* Especially of the Californian variety. I never really understood that. California did have more of the granola crunchy variety, but that wasn't necessarily a bad thing. Just a variety that's more oat conscious. :)<br><br><i>This is like one of my elder animal guides, Coyote, who continues to dig holes in front of me to trip into until I figure out I should use a different route! No sign post, no telegram, no blinking freeway sign warning of a detour ahead… </i><br><br>I like this description. A lot more whimsical than my close-mouthed CIA Tommy Lee Jones variety. *LOL* And it's reassuring your subconscious--as Californian as you are--doesn't talk to you anymore than mine talks to me.<br><br>Deerhunter was talking about going to see Cowboys & Aliens. I told him you gave it your stamp of approval. <br><br>And last but not least: WOOHOO for new writing!! Glad you found a story idea to play with!Hellionnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-18916173218946575932011-08-01T05:51:41.000-04:002011-08-01T05:51:41.000-04:00Q, that's so modern of you that you'd expe...Q, that's so modern of you that you'd expect me to buy my closed-mouthed subconscious lunch!! *LOL* I don't foot the bill unless we've been going out for a long long time, and being my subconscious seems to want to keep us on a professional level, I wouldn't do anything as forward as buying him lunch. :) *LOL*<br><br>But you probably have the right of it. Embracing is the key. The more balky I behave with my subconscious, the more balky he'll continue to be with me. One of us is going to have to make the first gesture at communication and it's clearly not going to be him. <br><br>The problem is that I'm so bad at it. Deerhunter is the communicator in our relationship. I act a lot like my subconscious. Oh, dear. *LOL*<br><br>Ah, I've missed you, Q, and I've missed blogging.Hellionnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-87481027191672511722011-08-01T05:52:57.000-04:002011-08-01T05:52:57.000-04:00Hellie, it sounds to me as if your rational, consc...Hellie, it sounds to me as if your rational, conscious mind is fighting against your subconscious rather than using it. Maybe it's a control issue. LOL<br><br>Barbara Samuel talks about the importance of listening to the "girls in the basement," taking the material they give and allowing the conscious mind to shape it. They work together.<br><br>I know a lot of writers, including Anne Gracie, suggest writing before you get out of bed--in that not quite awake stage when the boundary between subconscious and conscious is thinnest. I admit I haven't had much luck with this since I can't even seem to hold a pencil when I first wake, much less write words, but it seems to work for a lot of writers. Some writers see collaging as a way of playing with images and allowing the subconscious to work.<br><br>Kelly Stone in <i>Living Write</i> talks about using the subconscious in the form of Daily Counselors to whom you pose questions and wait for answers that often come in images, symbols, or intuitions. I haven't tried that either, but I must say I like the idea of Nora Roberts as my plot counselor, George Clooney as my love scene counselor, etc. The idea of imaging the various counselors as anyone I choose seems like fun.<br><br>I think organic writers depend on their subconscious in ways they don't even acknowledge. Whatever you use, I think it takes a willingness to listen and to trust the suprarational.Janganoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-82345751519377002352011-08-01T05:57:11.000-04:002011-08-01T05:57:11.000-04:00Most of the time I get going again by focusing on ...<i>Most of the time I get going again by focusing on the end. I know what I want to happen and so I look at where I am and where I want to be and I try to connect the dots.</i><br><br>Oooh, this is very good. Instead of working backwards, you work forwards to get the ball rolling again. Quite brilliant. <br><br>I tend to do the looking forward bit when I have my momentum going. <br><br>And that is a great reason to go back: if the character is off because the character is all. That is so true. And maybe that's the issue I'm having. I think part of the problem is that I'm not sure how a guy would act in the current situation I have for him. <br><br>(Though considering the movie I watched this weekend was about a man whose wife asked for a divorce--and him falling apart and being coached by what would be a very good looking young Lucifer--I could work with that. *LOL*) Hmmmm. Maybe I just need to see this movie about five or six more times.Hellionnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-25070950877186528482011-08-01T05:59:33.000-04:002011-08-01T05:59:33.000-04:00Bo'sun, are you suggesting I'm just having...Bo'sun, are you suggesting I'm just having arguments with myself? *affronted* Why, only crazy people do that! Are you suggesting that I'm cr...<br><br>Never mind. <br><br>So what did you think of the movie? I think we should talk about Ryan Gosling's naked chest. Discussion.Hellionnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-47186897648600250252011-08-01T06:02:59.000-04:002011-08-01T06:02:59.000-04:00Donna, I want to applaud your brilliance. Everyone...Donna, I want to applaud your brilliance. Everyone, did you see her post? Essentially she said, "Maybe you're WRONG about how you think the story should be going" but she never actually uses those words. She's like a diplomatic genius. <br><br>No worries. I already am coming to the unwanted conclusion I'm wrong. Again. *LOL* For like the billionth time. I hope the subconscious doesn't want to change the story framework YET AGAIN. It's one thing to change where it's going; it's another to change the framework altogether.Hellionnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-16270004129027000202011-08-01T06:05:48.000-04:002011-08-01T06:05:48.000-04:00Maybe it’s a control issue.Janga, I don't thin...<i>Maybe it’s a control issue.</i><br><br>Janga, I don't think there's a maybe to it. *LOL*<br><br><i>George Clooney as my love scene counselor</i><br><br>I would be completely on board with this as well. *fans self*<br><br>See, it's that whole TRUST issue. I have trust issues. MAJOR trust issues. *LOL* I'd see a therapist about it, but she'd probably tell me that me and my story need to break up.Hellionnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-78292989776405400382011-08-01T06:07:18.000-04:002011-08-01T06:07:18.000-04:00I'm with you, Hellie. I HATE trusting my subco...I'm with you, Hellie. I HATE trusting my subconscious. I'm a plotter, and I want to know exactly what will happen, how it will happen, and what happens next, before I write anything. Unfortunately, writing rarely works like that. Usually, I'm forced to muddle through, trusting some great unknown, that somehow it will all come together in the end.<br><br>The crazy thing is, it does. Twice now, I've been writing the suspense plot in which I knew there were giant, gaping holes. And twice, it all came together in the climax scene in an awesome, organic way that I could have never predicted.<br><br>So basically, my subconscious is a little bitch who holds back the good stuff until I've invested a year of my life (or two years, or three years, etc, etc, ad nauseum) into writing the damn thing. It's like a business partner who doesn't put up any of the cash up front, but wants the profit in the end. Its extortion! <br><br>I don't have any real advice, because I'm muddling around in the same problem, but one thing that's worked for me is to try to write the scene from a different POV. I might not leave it that way, I might try a couple, but sometimes just changing it up and looking at it from a different perspective will either show me what that big, past mistake is that I need to fix, or knock something loose in my head.halnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-46135238243534493082011-08-01T06:12:33.000-04:002011-08-01T06:12:33.000-04:00the restaurant is a great analogy, Donna. Anybody ...the restaurant is a great analogy, Donna. Anybody a Top Chef fan? I have a friend who went to Brian Voltaggio's restaurant, and they had the entire kitchen open so customers could see what was going on. She said it was like watching an opera. Everyone worked together in harmony, the staff and servers moved gracefully, everything was coordinated......but she also paid $250 for a four-course lunch and waited three months for the reservation. For LUNCH!<br><br>Anyway, my point is, maybe someday when we're all famous published authors who are churning out award winning books, we'll have this amazing opera-like process that newbie writers will watch and ooh and ahh over. <br><br>In the meantime, my process is more like the Kitchen Nightmares variety, where the chefs are screaming curse words and throwing things and servers are storming out and dishes are shattering.......hahahahalnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-40385961389692829392011-08-01T06:21:52.000-04:002011-08-01T06:21:52.000-04:00I ADORED the movie. Pirates, you all have to go se...I ADORED the movie. Pirates, you all have to go see this movie. The writing is excellent. The structure perfect. At least two twists took me completely by surprise and the ending is priceless.<br><br>Ryan without a shirt on was definitely worth the price of admission. LOL! But the writing and acting made the film for me. This was Steve Carrell at his best. Emma Stone is spot on and I don't know who played the son, but that kid nearly stole the picture. LOL! <br><br>I think Donna is onto something. Maybe what you think should happen in the current scene isn't what really should. Exploring ome free-writing or other paths might be a good idea.<br><br>Now I want more details on Janga's Daily Counselors. Off to look up that book.Bosunhttp://www.terriosburn.comnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-22048123460923363472011-08-01T06:36:06.000-04:002011-08-01T06:36:06.000-04:00It’s like a business partner who doesn’t put up an...<i>It’s like a business partner who doesn’t put up any of the cash up front, but wants the profit in the end. Its extortion! </i><br><br>EXACTLY, Hal, what kind of work relationship is this that I do all the sweat, blood, and tears--and you just profit from it. It's like the people who say, "Oh, you write? I have a story idea. Let me tell you, you write it, and we'll split the profits" and anytime you go, "How do we solve this?" they go, "I don't know. YOU'RE the writer. I just gave you the AWESOME idea." <br><br>Pricks.<br><br>And that's a crazy ass price to pay for lunch you waited like four months for! WTF! *LOL*<br><br>I suspect no matter how many books we write, the process will always be something like Kitchen Nightmares. *LOL* There will always be tantrums.Hellionnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-23028998353273670252011-08-01T06:37:22.001-04:002011-08-01T06:37:22.001-04:00My experience has been that when I get to where I ...My experience has been that when I get to where I absolutely can't move forward on the project it's because there's a major plot flaw that I have to untangle before I try to write. <br><br>It can be all kinds of things. Sometimes my characters are poorly matched--I've put two people together who have no reason to fall in love because they want such different things out of life. Maybe I've put them in a setting that doesn't give them scope for conflict. In one book, I'd killed off a character early on who held the key to unfolding the story. When a friend suggested that he be alive, I threw out three chapters but the next 100 pages almost wrote themselves.<br><br>I find the exercises in Alicia Rasley's plotting book, "The Story Within Guidebook" very helpful for checking that my characters have motivations and book length conflicts.<br><br>But what I'm basically saying is that my subconscious is not being negative--it's keeping me from writing the hundreds of pages of dead book I used to write before I became aware that books need plots. <br><br>So maybe you need to thank your subconscious and ask yourself what major thing that you are completely unaware of is making your book not unfold. Step back and map out your characters motivations. Map each scene and see what changes from the beginning to the end and ask whether it's connected to what happens next and the crisis you're trying to lead up to. <br><br>Structural problems are what keep most WIPS from working, but you can work them out.Jenny Brownhttp://jennybrown.netnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-88917460198606475662011-08-01T06:37:22.000-04:002011-08-01T06:37:22.000-04:00The 13 yr old was so adorable! Those freckles! I l...The 13 yr old was so adorable! Those freckles! I love this movie!!<br><br>Though I had to wonder, "Why is everything Julianne Moore's in, she's a cheating little tramp?"Hellionnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-38041136145682188542011-08-01T06:40:03.000-04:002011-08-01T06:40:03.000-04:00apparently, the price included an exceptional bott...apparently, the price included an exceptional bottle of wine and a significant tip, but still. It's a crazy ass price :) <br><br>I'm learning that the initial awesome idea rarely translate to the whole book by the time its been revised. I had the epiphany a while ago that the one kernel of an idea that started me on this whole book no longer has any bearing on the book it's become, and that scene had to be cut. It was heartbreaking, but it had to be done. Sigh.halnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-28675881415988663872011-08-01T06:44:32.000-04:002011-08-01T06:44:32.000-04:00Hi Jenny--So maybe you need to thank your subconsc...Hi Jenny--<br><br><i>So maybe you need to thank your subconscious and ask yourself what major thing that you are completely unaware of is making your book not unfold. </i><br><br>You're right. Gratitude is a much better attitude to have when resolving conflict than being pissed off the whole time. *LOL* Karma's a bitch and all that. :)<br><br><i>Step back and map out your characters motivations. Map each scene and see what changes from the beginning to the end and ask whether it’s connected to what happens next and the crisis you’re trying to lead up to.</i><br><br>But I love that you followed the gratitude first advice immediately with some pragmatic basics to solve the issue a bit like a Sudoku puzzle. Mapping out what you've done with short precise sentences instead of reading the chapter lets you see if the chapter is really working--because just because you like what happened in a chapter doesn't mean it's a chapter that's actually necessary--as Hal talk about her in comment!!Hellionnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-76056964477607909732011-08-01T06:45:41.000-04:002011-08-01T06:45:41.000-04:00Seriously, Hal, the kernel of the story idea that ...Seriously, Hal, the kernel of the story idea that started the whole story to begin with is CUT OUT OF YOUR MANUSCRIPT and you never revisited it again? That's wretched, that's...oh, wait, I might have done that. Huh. Maybe that happens more than I think. Weird.Hellionnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-75242316577345617012011-08-01T06:48:02.000-04:002011-08-01T06:48:02.000-04:00I love Top Chef and Brian is a cutie and excellent...I love Top Chef and Brian is a cutie and excellent chef, but I'm not paying that kind of money for lunch. LOL! Not even for a Top Chef! (Though, let's be honest. I probably wouldn't like it. And then he'd stab me and where would I be?)<br><br>Hal - Do you ever wonder if all the studying you've done on writing hinders more than helps at time? Meaning trying to consciously use what you've learned gets in the way than if you just trust it's in there and let the stuff organically come?<br><br>PS: Thanks for meeting up for dinner. I had such a good time.Bosunhttp://www.terriosburn.comnoreply@blogger.comtag:blogger.com,1999:blog-416913236621309814.post-2963367691514337932011-08-01T06:50:11.000-04:002011-08-01T06:50:11.000-04:00Jenny - Does the Rasley book give tools or workshe...Jenny - Does the Rasley book give tools or worksheet type things to use for the mapping? I believe I'm doing much better with this WIP than the last, and I'm gaining steam, but I'd love a little tool that would help me stay on track.Bosunhttp://www.terriosburn.comnoreply@blogger.com